Noah keeps to God and survived. The great flood has destroyed the renegade God sinners. So the template from Mesopotamia is integrated in the service of the Abrahamic religion literature. A related site: Institute of Medicine mentions similar findings. The Abrahamic religion interpreted out traditional stories from the perspective of the Babylonian exile as if they were former religious history. This view of history is mythological.
It starts with the beginning of the world. The creation of the world is a work of God. God also knew how he can deal with unfolgsamen people (sinners). By a great flood, he has swept away all apostates. The great freedom of the biblical Narrator is remarkable. With all the freedom, he edited the template from the world of gods of Mesopotamia. He erased the name of Gilgamesh and deploys the his God-man Noah.
Why did the ancient Judeans do that? They needed a story to put their faith in words. It includes the appeal to leave to start a new life. They wanted off to new shores, from the place of captivity to a common life in a new Jerusalem by Babylon. You wanted to live in a theocracy, in which God’s commandment to be State law. It had to make strong advertising. For the land of their ancestors was destroyed by Nebuchadnezzar. Their destination, Jerusalem, lay in ruins. At the time of a planned fresh start they desperately needed people, who wanted to walk with them in the land of the fathers. A primeval year locate incorrect link, or to excavate a layer of flooding which is as evidence for a claim the Bible is right”completely unsuitable. The biblical text of the flood who intends such, raped. Had we seen that the author calls just no year, and no scene. Nevertheless, attempts an archaeological evidence about the Biblical stories have a long tradition. “Werner Keller had with his book and the Bible has but right: researchers prove the historical truth” the direction given.
Videos by Piero Steinle for downloading at certified coolness Munich, January 11, 2010 – who is german Italian artist Piero Steinle with six videos from the series of canned laughter at certified coolness. Piero Steinle lives and works in Milan and Munich. His video, film, photography and mixed media work has been exhibited in Asia, Europe and North America. Six videos of smiling people from five countries: America, India, Japan, Korea and Israel. Each video is there in sizes SMALL to 10 250 kg CO2 offset, MEDIUM to 20 with 500 kg CO2 offset and LARGE to 40 with 1,000 kg CO2 compensation.
Climate change is not to laugh. However, only with humor and an optimistic attitude we can meet this great challenge\”, says Mr. cool Ness (alias Arturo Amorim, the Brazilian CEO of certified coolness). No time is heartbreaking. That’s why these videos very well to our CO2 offset fit.\” Why combine art and CO sharing? The reasons that people Make art and compensate CO2 are similar: dealing with the will to make its environment and to exert influence on the reality of your own life. The life-affirming commitment to CO2 compensate and CO2 reduction is a conscious design\”action.
Quite in the sense of advanced art of Joseph Beuys. Certified coolness of CO2 Ausgeich is safe, high quality, transparent and simple. Because the amount of CO2 you want to compensate, has been spared already guaranteed the Earth. These ensure the CE certificates of the United Nations. Together with the certified certificate of coolness, you can email the videos by Piero Steinle to friends or burn on CD\”, so Mr. cool ness. You can find a CD cover to download and tips to the packaging on the side. We were very pleased that Piero Steinle immediately supported our idea. \”\” We hope that more artists and artists of life as a staunch Coolistas \”join in the kiosk for climate protection and art\”, so the Brazilians.
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